An icon (from Greek εἰκών, eikōn, "image") is an image, picture, or representation; it is a sign or likeness that stands for an object by signifying or representing it, or by analogy, as in semiotics; by extension, icon is also used, particularly in modern culture, in the general sense of symbol — i.e. a name, face, picture, edifice or even a person readily recognized as having some well-known significance or embodying certain qualities. one thing, and image or depiction, that represents something else of greater significance through literal or figurative meaning, usually associated with religious, cultural, political, and economic standing.
Throughout history religious cults or religious cultures[1] have been inspired or supplemented by concrete images, whether in two dimensions or three. The degree to which images are used or permitted, and their functions, whether they are for instruction or inspiration, whether treated as sacred objects of veneration or worship or simply applied as ornament, depends upon the tenets of a given religion in a given place and time.
In Eastern Christianity and other icon-painting Christian traditions, the icon is generally a flat panel painting depicting a holy being or object such as Jesus, Mary, saints, angels, or the cross. Icons may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Creating free-standing, three-dimensional sculptures of holy figures was resisted by Christians for many centuries, out of the belief that daimones inhabited pagan sculptures, and also to make a clear distinction between Christian art and pagan. To this day, in obedience to the commandment not to make "graven images", Orthodox icons may never be more than three-quarter bas relief.Theology of icons
Orthodox Christian usually say their prayers in front of an Eastern-facing wall covered with icons, or an icon corner.
Orthodox Christian usually say their prayers in front of an Eastern-facing wall covered with icons, or an icon corner.
Christianity teaches that the immaterial God took flesh in the form of Jesus Christ, making it possible to depict in human form the Son of God. It is on this basis that the Old Testament prescriptions against making images were overturned for the early Christians by their belief in the Incarnation. Also, the concept of archetype was redefined by the early church fathers in order to better understand that when a person shows veneration toward an image, the intention is rather to honor the person depicted, not the substance of the icon. As St. Basil the Great says, "The honor shown the image passes over to the archetype." He also illustrates the concept by saying, "If I point to a statue of Caesar and ask you 'Who is that?', your answer would properly be, 'It is Caesar.' When you say such you do not mean that the stone itself is Caesar, but rather, the name and honor you ascribe to the statue passes over to the original, the archetype, Caesar himself." So it is with an Icon.
In the Eastern Orthodox tradition, only flat or bas relief images are used. The Greeks, having a long, pagan tradition of statuary, found the sensual quality of three dimensional representations did more to glorify the human aspect of the flesh rather than the divine nature of the spirit and so prohibitions were created against statuary. The Romans, on the other hand, did not adopt these prohibitions and so we still have statuary among the Roman Catholics to this day. Because the Greeks rejected statuary, the Byzantine style of iconography was developed in which figures were stylized in a manner that emphasized their holiness rather than their humanity. Symbolism allowed the icon to present highly complex material in a very simple way, making it possible to educate even the illiterate in theology. The interiors of Orthodox Churches are often completely covered i
Answered by Mohd Farooq
at
4:30 PM on April 29, 2008
